Conference Code: 17UK10ICMIR
Conference Aims and Objectives
The ICMIR 2017: 19th International Conference on Music Information Retrieval
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of Music Information Retrieval. It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations, trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Music Information Retrieval.
Call for Contributions
All honorable authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters. Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or theoretical work in all areas of Music Information Retrieval are cordially invited for presentation at the conference. The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of novel research materials.WASET
All submitted conference papers will be blind peer reviewed by three competent reviewers. The post conference proceedings will be abstracted and indexed in the International Science Index
, and submitted to be indexed in the
, Scopus and Thomson Reuters. The conference abstracts and proceedings book, CD and certificate of presentation will be distributed to participants at the conference registration desk.
Special Journal Issues
has teamed up with the Special Journal Issue on Music Information Retrieval
A number of selected high-impact full text papers will also be considered for the special journal issues. All submitted papers will have the opportunity to be considered for this Special Journal Issue. The paper selection will be carried out during the peer review process as well as at the conference presentation stage. Submitted papers must not be under consideration by any other journal or publication. The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly. Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor. To participate as a sponsor or exhibitor, please download and complete the Conference Sponsorship Request Form
|Abstracts/Full-Text Paper Submission Deadline
||August 18, 2017
|Notification of Acceptance/Rejection
||August 31, 2017
|Final Paper (Camera Ready) Submission & Early Bird Registration Deadline
||September 19, 2017
||October 19 - 20, 2017
Please ensure your submission meets WASET's strict guidelines for accepting scholarly papers. Downloadable versions of the check list for
Please refer to the Paper Submission GUIDE
before submitting your paper.
Selected Conference Papers
1) Interpreting Chopin’s Music Today: Mythologization of Art: KitschIlona Bala 2) Genetic Algorithms for Feature Generation in the Context of Audio ClassificationJosé A. Menezes, Giordano Cabral, Bruno T. Gomes 3) True Detective as a Southern Gothic: A Study of Its Music-LyricsDivya Sharma 4) Music in the Early Stages of Life: Considerations from Working with Groups of Mothers and BabiesAna Paula Melchiors Stahlschmidt 5) Effects of Synchronous Music on Gymnastics' Motor Skills Performance among Undergraduate Female Students in Physical Education CollegeSanaa Ali Ahmed Alrashid 6) Blind Channel Estimation for Frequency Hopping System Using Subspace Based MethodM. M. Qasaymeh, M. A. Khodeir 7) Music for Peace, a Model for SocializationMina Fenercioglu 8) Musical Notation Reading versus Alphabet Reading - Comparison and Implications for Teaching Music Reading to Students with DyslexiaOra Geiger 9) The Use of Themes and Variations in Early and Contemporary Juju MusicOlupemi E. Oludare 10) Towards an Understanding of Social Capital in an Online Community of Filipino Music ArtistsJerome V. Cleofas 11) Mikrophonie I (1964) by Karlheinz Stockhausen - Between Idea and Auditory ImageJustyna Humięcka-Jakubowska 12) Variations and Fugue on an Ancient Taiwanese Music: The Art of Combining Taiwanese Traditional Music and Western Composition in Kuo Chih-Yuan’s Piano RepertoireSheng Wei Hsu 13) Orchestra Course Outcomes in Terms of Values EducationZ. Kurtaslan, H. Hakan Okay, E. Can Dönmez, I. Kuçukdoğan 14) Automatic Music Score Recognition System Using Digital Image ProcessingYuan-Hsiang Chang, Zhong-Xian Peng, Li-Der Jeng 15) Performance Analysis of MUSIC, Root-MUSIC and ESPRIT DOA Estimation AlgorithmN. P. Waweru, D. B. O. Konditi, P. K. Langat
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