ICCFMS 2022: 16. International Conference on Communication, Film and Media Sciences

April 22-23, 2022 in New York, United States

Conference Code: 22US04ICCFMS

Submit Your Paper Author Registration Listener Registration

The International Research Conference Aims and Objectives

The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations. With its high quality, it provides an exceptional value for students, academics and industry researchers.

ICCFMS 2022: 16. International Conference on Communication, Film and Media Sciences aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of Communication, Film and Media Sciences. It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations, trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Communication, Film and Media Sciences

Call for Contributions

Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters. Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or theoretical work in all areas of Communication, Film and Media Sciences are cordially invited for presentation at the conference. The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of novel research materials.

Guidelines for Authors

Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers. Downloadable versions of the check list for Full-Text Papers and Abstract Papers.

Please refer to the Paper Submission Guideline, Abstract Submission Guideline and Author Information before submitting your paper.

Conference Proceedings

All submitted conference papers will be blind peer reviewed by three competent reviewers. The peer-reviewed conference proceedings are indexed in the Open Science Index, Google Scholar, Semantic Scholar, Zenedo, OpenAIRE, BASE, WorldCAT, Sherpa/RoMEO, and other index databases. Impact Factor Indicators.

Special Journal Issues

ICCFMS 2022 has teamed up with the Special Journal Issue on Communication, Film and Media Sciences. A number of selected high-impact full text papers will also be considered for the special journal issues. All submitted papers will have the opportunity to be considered for this Special Journal Issue. The paper selection will be carried out during the peer review process as well as at the conference presentation stage. Submitted papers must not be under consideration by any other journal or publication. The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly. Selected full-text papers will be published online free of charge.

Conference Sponsor and Exhibitor Opportunities

The Conference offers the opportunity to become a conference sponsor or exhibitor. To participate as a sponsor or exhibitor, please download and complete the Conference Sponsorship Request Form.

Application Forms

Selected Papers

Intelligent System and Renewable Energy: A Farming Platform in Precision Agriculture
Ryan B. Escorial, Elmer A. Maravillas, Chris Jordan G. Aliac
The Necessity of Urban Boundaries in Planning Legislation: A Case Study in Bilecik, Turkey
Mercan Efe Güney, Barış Parlatangiller, Melik Ayer
An Open Loop Distribution Module for Precise and Uniform Drip Fertigation in Soilless Culture
Juan Ignacio Arango, Andres Diaz, Giacomo Barbieri
A Short Survey of Integrating Urban Agriculture and Environmental Planning
Rayeheh Khatami, Toktam Hanaei, Mohammad Reza Mansouri Daneshvar
Modeling Non-Darcy Natural Convection Flow of a Micropolar Dusty Fluid with Convective Boundary Condition
F. M. Hady, A. Mahdy, R. A. Mohamed, Omima A. Abo Zaid
Improving Fake News Detection Using K-means and Support Vector Machine Approaches
Kasra Majbouri Yazdi, Adel Majbouri Yazdi, Saeid Khodayi, Jingyu Hou, Wanlei Zhou, Saeed Saedy
60 GHz Multi-Sector Antenna Array with Switchable Radiation-Beams for Small Cell 5G Networks
N. Ojaroudi Parchin, H. Jahanbakhsh Basherlou, Y. Al-Yasir, A. M. Abdulkhaleq, R. A. Abd-Alhameed, P. S. Excell
Students’ Perceptions of the Use of Social Media in Higher Education in Saudi Arabia
Omar Alshehri, Vic Lally
Estimating the Traffic Impacts of Green Light Optimal Speed Advisory Systems Using Microsimulation
C. B. Masera, M. Imprialou, L. Budd, C. Morton
The Features of Formation of Russian Agriculture’s Sectoral Structure
Natalya G. Filimonova, Mariya G. Ozerova, Irina N. Ermakova
The Use of Music Therapy to Improve Non-Verbal Communication Skills for Children with Autism
Maria Vinca Novenia
Sharing Tourism Experience through Social Media: Consumer's Behavioral Intention for Destination Choice
Mohammad Tipu Sultan, Farzana Sharmin, Ke Xue
The Paralinguistic Function of Emojis in Twitter Communication
Yasmin Tantawi, Mary Beth Rosson
A Small-Scale Flexible Test Bench for the Investigation of Fertigation Strategies in Soilless Culture
Giacomo Barbieri
Negotiating Across Cultures: The Case of Hungarian Negotiators
Júlia Szőke

Cinema Studies
Comics and Graphic Novels, and Journalism
Communication and Democracy
Communication Arts and Sciences
Communication Law and Policy
Communication Policies and Culture
Communication Studies
Communication, Mass Media and Culture
Communications Media Technologies
Contemporary Cinema: Industries, Narratives, Bodies
Contemporary Theatre and Performance
Creative Arts, Film and Media
Critical, Cultural and Media Theories of Bodies, Technology, Language and Gender
Cult Media Studies
Cultural and Media Theories of Bodies
Cultural Transformations
Cultures and Identities in Film, Media and Literature
Digital Culture and Communication
Documentary and Propaganda Film
Feminist Theory: Gender and Political Studies
Film and TV Audiences
Film and Media Studies
Film and Television Genres
Film Criticism and Theory
Film, Still Photography, Television, and Digital Media
Fine Art, Design, Media, Film and Communications
Gender and communication
Globalization Theory/Transnational Media
Horror and Science Fiction Film
International and Intercultural Communication
International Film Festivals
International Literature in Film Studies
Internet as a Medium for Cinema, Movies, Video, Film Communication
Internet Media Studies
Interpersonal Communication and Social Interaction
Issues of Authorship and Queer Identities
Journalism Studies and Communications
Languages and Linguistics
Latin American Cinema, Media and Culture
Marketing and Communications
Mass Communication and Media Studies
Mass Communication and Theatre
Mass Media and Communications
Media and Communications databases
Media Institutions and Industries
Media, Art and Communications
Media, Religion, and Culture
Moving-Image Culture
Music, Movies and Meaning
National Cinemas
Organizational and Strategic Communication
Performance and Ethnography
Performance and Performance Theory
Photography
Political Communication, Policy, and Participation
Political Fiction Cinema
Popular Culture and Film
Popular Music and Critical
Postmodern and Queer Theoretical Approaches to Representation
Postmodernism and the Avant-garde
Propaganda Film
Race Studies
Reception Studies
Representation and meaning in news content
Representations of Gender and Sexuality
Rhetoric and Public Culture
Screenwriting, Curating, and Digital Video Production
Short Film Studies
Subcultural Media Practices
Television, Film, and New Media Theory, History, and Criticism
Theatre, Visual Arts, Cultural Studies, Communications
Theories of Cultural Value
Theory of Art Production and Distribution
U.S. Cinema, Television, and New Media
Underground and Independent Cinema
Visual Culture

Abstracts/Full-Text Paper Submission Deadline		February 13, 2021
Notification of Acceptance/Rejection		February 27, 2021
Final Paper (Camera Ready) Submission & Early Bird Registration Deadline		March 22, 2022
Conference Dates		April 22-23, 2022

Elsabe Pepler	Cape University of Technology, ZA
Oluwayemi Olatoye	University of Fort Hare, ZA
Zamambo Mkhize	University of Cape Town, ZA
Emmie Smit	University of the Free State, ZA
Fulufhelo Oscar Maphiri Makananise	University of Venda, ZA
Barun Ghosh	University of South Africa, ZA
Geraldine Genevive Lazarus	University of KwaZulu- Natal, ZA
Mandusha Maharaj	Durban University of Technology, ZA
Johnson Ihyeh Agbinya	French South African Technical Institute in Electronics / Tshwane University of Technology, ZA
Harrison Atagana	University of South Africa, ZA
Ezendu Ariwa	University of Bedfordshire, UK
Ali Al-Sherbaz	The University of Northampton, UK
Satya Shah	University of Greenwich, UK
Anjali Das	TTE Systems Ltd (spin-out company from the University of Leicester), UK
Salil Gunashekar	University of Leicester, UK
Mohamed Abdel-Maguid	Staffordshire University, UK
Jian - Guo Zhang	London South Bank University, UK
Gurvinder Singh Baicher	University of Wales, Newport, UK
Mohammed Rezaul Karim	Guildhall College, UK
Tariq Khan	Brunel University, UK
Yuping Yang	University of Exeter, UK
Elizabeth Serieux	University of South Carolina Beaufort, US
Shariat Mobasser	Wayne State University, US
Ehi Aimiuwu	Campbellsville University, US
Senthil Kumar Kuppusamy	KPIT Technologies Inc, USA, US
William Alexander Yankes	University of California, Irvine, US
Abel Navarro	Borough of Manhattan Community College, US
Todd Walton	University of Maryland University College, US
Pat Nelson	Minnesota State University Mankato, US
Chyng Sun	New York University, US

Participation Type	Early Registration Fees	Registration Fees
Non-Student Oral/Poster Presenter Registration	€ 450	€ 500
Student Oral/Poster Presenter Registration	€ 350	€ 400
Listener Registration	€ 250	€ 300
Additional Paper Publication	€ 100

All conference materials and services will be delivered digitally to the participant with the online conference management system. Conference registration includes the following digital materials and services:

e-certificates [for Authors: Certificate of Attendance and Presentation; for Listeners: Certificate of Attendance; for Chairs: Certificate of Attendance and Appreciation; for Presenters: Certificate of Best Presentation (if conferred based appraisal)]
e-program
e-book
e-name badge
e-receipt
e-presentation

Presentation Types:

Physical presentation is an oral conferencing presentation that is made using digital technology including embedded digital elements ( texts, tables, graphs, or videos ) for PowerPoint sharing.
Digital presentation is a digital conferencing presentation that is made using digital technology including embedded digital elements ( texts, tables, graphs, or videos ) for PowerPoint sharing.

Early Bird Registration

Early Bird registration is valid until 2022-03-22 23:59:59

Online Credit Card Processing

Online payment option available for author and listener delegates.
Conference participants can make online credit card payments for conference registration fees.