The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Anthropology, Art, Aesthetics and Senses
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Anthropology, Art, Aesthetics and Senses.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Anthropology, Art, Aesthetics and Senses.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Anthropology, Art, Aesthetics and Senses are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
19. International Conference on Anthropology, Art, Aesthetics and Senses has teamed up with the Special Journal Issue on
Anthropology, Art, Aesthetics and Senses.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
-
On the Difference between Cultural and Religious Identities: A Case Study of Christianity and Islam in Some African and Asian Countries
Mputu Ngandu Simon
-
The Shifting Urban Role of Buildings’ Facades: A Diachronic Analysis of El Korba
Virginia Bassily, Sherif Goubran
-
Democracy in Pakistan: A Critical Review Through the Lens of Dr. Israr Ahmed and Western Philosophers
Zoaib Mirza
-
Aspects of Semiotics in Contemporary Design: A Case Study on Dice Brand
Laila Zahran Mohammed Alsibani
-
Whooeaism: A Concept of Origin of Religion among the Jarawas of Andaman Islands, India
Awdhesh Narayan Sharma
-
Philosophy, Geometry, and Purpose in Islamic and Gothic Architecture as Two Religious-Based Styles
P. Nafisi Poor, P. Javid
-
Studying Iranian Religious Minority Architecture: Differences and Commonalities in Religious and National Architecture after Safavid
Saeideh Soltanmohammadlou, Pilar M Guerrieri, Amir Kianfar, Sara Sadeghian, Yasaman Nafezi, Emily Irvin
-
Contraception in Guatemala, Panajachel and the Surrounding Areas: Barriers Affecting Women’s Contraceptive Usage
Natasha Bhate
-
The Investigation on the Relationship between Religion and Development: By Focusing on Islam
Dalal Benboutrif
-
Shifting Paradigms of Culture: Rise of Secular Sensibility in Indian Literature
Nidhi Chouhan
-
Social Interaction Dynamics Exploration: The Case Study of El Sherouk City
Nardine El Bardisy, Wolf Reuter, Ayat Ismail
-
Socio-Cultural Representations through Lived Religions in Dalrymple’s Nine Lives
Suman
-
Anonymous Editing Prevention Technique Using Gradient Method for High-Quality Video
Jiwon Lee, Chanho Jung, Si-Hwan Jang, Kyung-Ill Kim, Sanghyun Joo, Wook-Ho Son
-
An Investigation of the Relationship between the Need for Cognitive Closure and Religious Fundamentalism
Hadi G. Altabatabaei, Nguyen L. L. Anh
-
The Employee's Right to Observe the Religious Worship Day: Position of the Portuguese Constitutional Court
Susana Sousa Machado
Digital Program consists of the e-proceedings book which is available online-only
and includes the conference communications (proceedings abstracts and papers).
Registered participants can access the digitally available conference
proceedings ( and certificates ) by visiting their profile pages.
Anthropology of art
Social anthropology
History
The problem of art
Primitive art
Artistic production
Aesthetics
Art in small-scale societies
Variations in aesthetic tradition
Art and apt imagery
Religion and art
Art and social life
Art and visual communication
Art in different cultural contexts
Historical, economic and aesthetic dimensions of art
Non-western art forms
Western cultures
Western art objects
Local or national culture
Cultural provenance of the objects
Richness and diversity of art forms
Exotic culture
Cultural meaning
Tribal art
Visual arts and material culture of indigenous peoples
Ethnographic method
Research methodology
Marginalized and exotic societies
Social relationships
Ethnographic sections of the museums
Artifacts of human creation
Abstracts/Full-Text Paper Submission Deadline |
|
January 15, 2025 |
Notification of Acceptance/Rejection |
|
January 31, 2025 |
Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
July 15, 2025 |
Conference Dates |
|
August 14-15, 2025 |