The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Creative and Performing Arts
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Creative and Performing Arts.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Creative and Performing Arts.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Creative and Performing Arts are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
19. International Conference on Creative and Performing Arts has teamed up with the Special Journal Issue on
Creative and Performing Arts.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
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Cognition Technique for Developing a World Music
Haider Javed Uppal, Javed Yunas Uppal
-
OSEME: A Smart Learning Environment for Music Education
Konstantinos Sofianos, Michael Stefanidakis
-
An Ontology for Smart Learning Environments in Music Education
Konstantinos Sofianos, Michail Stefanidakis
-
Students with Special Educational Needs Camouflaging and Teacher Training of University Teaching Staff: Practical Reflection
Ana Mercedes Vernia Carrasco
-
The Functions of the Student Voice and Student-Centered Teaching Practices in Classroom-Based Music Education
Sofia Douklia
-
Manodharmam: A Scientific Methodology for Improvisation and Cognition in Carnatic Music
Raghavi Janaswamy, Saraswathi K. Vasudev
-
Properties of Bacterial Nanocellulose for Scenic Arts
B. Suárez, G. Forman
-
On Musical Information Geometry with Applications to Sonified Image Analysis
Shannon Steinmetz, Ellen Gethner
-
Post-Modernist Tragi-Comedy: A Study of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead
Azza Taha Zaki
-
From “Discipline and Punish” to the Necessity for the Establishment of Greek Theatre: A Political Study of the Formation of Theatre Spaces in Ancient Greece Based on Michel Foucault’s Ideas
Payam Foroutan Yekta
-
Libretto Thematology in Rossini's Operas and Its Formation by the Composer
Areti Tziboula, Anna-Maria Rentzeperi-Tsonou
-
Research on the Teaching Quality Evaluation of China’s Network Music Education APP
Guangzhuang Yu, Chun-Chu Liu
-
Machine Learning for Music Aesthetic Annotation Using MIDI Format: A Harmony-Based Classification Approach
Lin Yang, Zhian Mi, Jiacheng Xiao, Rong Li
-
Modern Tragic Substance in O’Neill’s Desire under the Elms and Mourning Becomes Electra
Azza Taha Zaki
-
A Program Based on Artistic and Musical Activities to Acquire Educational Concepts for Children with Learning Difficulties
Ahmed Amin Mousa, Huda Mazeed, Eman Saad
Digital Program consists of the e-proceedings book which is available online-only
and includes the conference communications (proceedings abstracts and papers).
Registered participants can access the digitally available conference
proceedings ( and certificates ) by visiting their profile pages.
Performing arts
Theatre
Dance
Music
Drama
Types
History
History of Western performing arts
Management
Performance and entertainment
Renaissance
Modern era
Post-war performance
History of Eastern performing arts
Performance and technology
Technical equipment used behind the scenes
Performance and script writing
Improvisation
Performing a script
Performing for screen
Theory and practice of human performance
Technique and principles of modern dance
Performers
Acting and performance
Aesthetic and intellectual purposes
Studies in theatre and performance
Theatre and performance design
Theatre and entertainment technology
Professional practices in drama
Abstracts/Full-Text Paper Submission Deadline |
|
January 15, 2025 |
Notification of Acceptance/Rejection |
|
January 31, 2025 |
Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
May 02, 2025 |
Conference Dates |
|
June 05-06, 2025 |