The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Film and Cinema Studies
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Film and Cinema Studies.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Film and Cinema Studies.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Film and Cinema Studies are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
19. International Conference on Film and Cinema Studies has teamed up with the Special Journal Issue on
Film and Cinema Studies.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
-
New Chinese Landscapes in the Works of the Chinese Photographer Yao Lu
Xiaoling Dai
-
Properties of Bacterial Nanocellulose for Scenic Arts
B. Suárez, G. Forman
-
A Surrealist Play of Associations: Neoliberalism, Critical Pedagogy and Surrealism in Secondary English Language Arts
Stephanie Ho
-
Towards the Prediction of Aesthetic Requirements for Women’s Apparel Product
Yu Zhao, Min Zhang, Yuanqian Wang, Qiuyu Yu
-
The Concept of the Aesthetic Features in Architectural Structures of the Museums
D. Moussazadeh, A. Aytug
-
Shaping of World-Class Delhi: Politics of Marginalization and Inclusion
Aparajita Santra
-
The Effect of Closed Circuit Television Image Patch Layout on Performance of a Simulated Train-Platform Departure Task
Aaron J. Small, Craig A. Fletcher
-
The Representation of Female Characters by Women Directors in Surveillance Spaces in Turkish Cinema
Berceste Gülçin Özdemir
-
Evolution of Fashion Design in the Era of High-Tech Culture
Galina Mihaleva, C. Koh
-
Strategic Risk Issues for Film Distributors of Hindi Film Industry in Mumbai: A Grounded Theory Approach
R. Dyondi, S. K. Jha
-
Freedom of Expression and Its Restriction in Audio Visual Media
Sevil Yildiz
-
Reading against the Grain: Transcodifying Stimulus Meaning
Aba-Carina Pârlog
-
Create and Design Visual Presentation to Promote Thai Cuisine
Supaporn Wimonchailerk
-
Analysis of Patterns in TV Commercials that Recognize NGO Image
J. Areerut, F. Samuel
-
The Use of TV and the Internet in the Social Context
Khulood Miliany
Conference venue information will be released soon.
Cinema studies
Film theory and history
Major film festivals
Film industry
Filmmakers
Screenwriters
Editors
Television: history and culture
Adaptation
Costume design
Horror and sci-fi
Surrealism and cinema
Film auteurs, genres, movements, national cinemas, and television studies
American film of the 1960s and 70s
Choreography and the moving image
Korean cinema, the sitcom and special effects
Representations of geography, socioeconomic status, gender, identity or others
Film history, theory, and aesthetics
Broadcast television, video art, and digital media.
Museum film departments, archives, and programming
Abstracts/Full-Text Paper Submission Deadline |
|
August 15, 2024 |
Notification of Acceptance/Rejection |
|
August 30, 2024 |
Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
May 11, 2025 |
Conference Dates |
|
June 10-11, 2025 |