The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Interdisciplinary Musicology
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Interdisciplinary Musicology.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Interdisciplinary Musicology.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Interdisciplinary Musicology are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
19. International Conference on Interdisciplinary Musicology has teamed up with the Special Journal Issue on
Interdisciplinary Musicology.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
-
Fixed Point of Lipschitz Quasi Nonexpansive Mappings
M. Moosavi, H. Khatibzadeh
-
Modular Data and Calculation Framework for a Technology-Based Mapping of the Manufacturing Process According to the Value Stream Management Approach
Tim Wollert, Fabian Behrendt
-
Methodology for Bioenergy Potential and Assessment for Energy Deployment in Rural Vhembe District Areas
Clement M. Matasane, Mohamed T. Kahn
-
Synthesis of a Control System of a Deterministic Chaotic Process in the Class of Two-Parameter Structurally Stable Mappings
M. Beisenbi, A. Sagymbay, S. Beisembina, A. Satpayeva
-
Robot Operating System-Based SLAM for a Gazebo-Simulated Turtlebot2 in 2d Indoor Environment with Cartographer Algorithm
Wilayat Ali, Li Sheng, Waleed Ahmed
-
A Simulation Tool for Projection Mapping Based on Mapbox and Unity
Noriko Hanakawa, Masaki Obana
-
An Image Processing Based Approach for Assessing Wheelchair Cushions
B. Farahani, R. Fadil, A. Aboonabi, B. Hoffmann, J. Loscheider, K. Tavakolian, S. Arzanpour
-
Multi-Temporal Mapping of Built-up Areas Using Daytime and Nighttime Satellite Images Based on Google Earth Engine Platform
S. Hutasavi, D. Chen
-
A Structural Support Vector Machine Approach for Biometric Recognition
Vishal Awasthi, Atul Kumar Agnihotri
-
Time Compression in Engineer-to-Order Industry: A Case Study of a Norwegian Shipbuilding Industry
Tarek Fatouh, Chehab Elbelehy, Alaa Abdelsalam, Eman Elakkad, Alaa Abdelshafie
-
Model of Obstacle Avoidance on Hard Disk Drive Manufacturing with Distance Constraint
Rawinun Praserttaweelap, Somyot Kiatwanidvilai
-
Smart Lean Manufacturing in the Context of Industry 4.0: A Case Study
M. Ramadan, B. Salah
-
Multi-Temporal Urban Land Cover Mapping Using Spectral Indices
Mst Ilme Faridatul, Bo Wu
-
Behavioral Mapping and Post-Occupancy Evaluation of Meeting-Point Design in an International Airport
Meng-Cong Zheng, Yu-Sheng Chen
-
Landslide Susceptibility Mapping: A Comparison between Logistic Regression and Multivariate Adaptive Regression Spline Models in the Municipality of Oudka, Northern of Morocco
S. Benchelha, H. C. Aoudjehane, M. Hakdaoui, R. El Hamdouni, H. Mansouri, T. Benchelha, M. Layelmam, M. Alaoui
Digital Program consists of the e-proceedings book which is available online-only
and includes the conference communications (proceedings abstracts and papers).
Registered participants can access the digitally available conference
proceedings ( and certificates ) by visiting their profile pages.
Mapping the Field: including, Music Technology, Technology in Musicology and Music Research, Technology in Ethnomusicology, Technology in the Neuroscience of Music, Technology for Music EducationM
Sociology, Anthropology & Psychology: including, Technology as Gender Sensitive Construction, Diversity & Technology, Women in Music Technology, Evolutionary Musicology
Philosophy, Criticism & History: including, Philosophy and Theory of Music Technology, History of Music Technology, Music Beyond Technology, Critique of Technological Determinism
Art & Aesthetics: including, Technology in/for Composition, Electroacoustic Music Studies, Technological Criteria in Performances.
Analysis: including, Technology in/of Music Analysis, Analysis of Musical Performance.
Technology of Music Technology: including, Software & Hardware Design, Perceptual Coding, Interfaces and Human-Computer Interaction, Sound Diffusion.
Science and Art of Sound Recording: including, Tonmeister Practice and Advances in Music Technology, Archiving & Restoration, Storage and Preservation of Music, Hi-Density Formats.
Technology of Musical Instruments: including, Design and Development of Acoustic Musical Instruments, Digital Musical Instruments & Musical Interfaces, Restoration of Musical Instruments.
Documentation, Archiving & Retrieval: including, Library Technology for Music, Music Databases, and Information Design for Musical Instrument Museums.
Musical Practice: including, Extended Instrumental / Vocal Techniques, Technology for Education and Practicing music, Composers' and Pe
Special Sessions:
New Emerging Technologies: including, Music Neurotechnology, Neuromusicology and Neuro-inspired Music Theory, Evolutionary Computing in Music and Musicology, Computational Ethnomusicology and Unconventional Computing in Music
| Abstracts/Full-Text Paper Submission Deadline |
|
December 12, 2024 |
| Notification of Acceptance/Rejection |
|
December 26, 2024 |
| Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
April 23, 2025 |
| Conference Dates |
|
May 22-23, 2025 |
