The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Media and Film Studies
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Media and Film Studies.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Media and Film Studies.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Media and Film Studies are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
19. International Conference on Media and Film Studies has teamed up with the Special Journal Issue on
Media and Film Studies.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
-
Smart Agriculture in Iran: Background, Necessities, Challenges and Solutions for Establishment
Hassan Masoumi
-
Research on Quality Assurance in African Higher Education: A Bibliometric Mapping from 1999 to 2019
Luís M. João, Patrício Langa
-
Financing from Customers for Small and Medium-Sized Enterprises and Managing Financial Risks: The Role of Customer Relationships
Yongsheng Guo, Mengyu Lu
-
Heroes in Hollywood Cinema: An Examination of ‘Da Yin Xi Sheng, Da Xiang Wu Xing’ Concepts in Daoism
Jun Cui, Mark Qin, Wei Chang, Celtic Wang
-
Unspoken Delights: Creative Strategies for Bypassing the Censorship System and Depicting Male-Female Relationships in Iranian Cinema
Parsa Naji
-
Mandatory Mediation in Defamation Suits: A Balancing of the Scales Between Freedom of Expression and the Protection of Reputation
R. Prinsloo
-
A Universal Troup Athens Dramatic Company: Tours and Performance (1887-1935)
O. Papazafeiropoulou
-
mm-Wave Wearable Edge Computing Module Hosted by PRGW Structures: A Physical Layer Study
Matthew Kostawich, Mohammed Elmorsy, Mohamed Sayed Sifat, Shoukry Shams, Mahmoud Elsaadany
-
The Greek Theatre in Australia until 1950: A Complex Phenomenon of Greeks and Australians in the Performing Arts
O. Papazafeiropoulou
-
Getting Back Out There Looking Like That: A Visual Critique of Rebecca Welton’s Costuming in Reference to Female Representation in Television
Abigail R. Gardner
-
Philosophical Inquiry from Children´s Literature: Multidimensional Thinking
C. Cruz, A. Breda
-
Indirect Relationship Between Perfectionism and Depression Through Self-Silencing and Guilt: A Cross-Cultural Study
Elham Davoodi, Kylie King, Laura Jobson
-
The Effect of an Electric Field on Falling Film Evaporation
Abdelaziz Nasr
-
Digital Games as a Means of Cultural Communication and Heritage Tourism: A Study on Black Myth - Wukong
Kung Wong Lau
-
Text Mining Algorithm for Large-Scale Social Media Data
Alexander A. Kharlamov, Maria Pilgun
Digital Program consists of the e-proceedings book which is available online-only
and includes the conference communications (proceedings abstracts and papers).
Registered participants can access the digitally available conference
proceedings ( and certificates ) by visiting their profile pages.
Film and Media Studies
Advertising and Consumer Culture
American Film Genres
Art/Media Connections
Audience and Fan Studies
Audience and Reception Studies
Authorship and Genre
Avant-Garde and Experimental Media
Cinema Studies
Comics and Graphic Novels, and Journalism
Communication and Democracy
Communication Arts and Sciences
Communication Law and Policy
Communication Policies and Culture
Communication Studies
Communication, Mass Media and Culture
Communications Media Technologies
Contemporary Cinema: Industries, Narratives, Bodies
Contemporary Theatre and Performance
Copyright and Intellectual Property
Creative Arts, Film and Media
Critical, Cultural and Media Theories of Bodies, Technology, Language and Gender
Cult Media Studies
Cultural and Media Theories of Bodies
Cultural Studies
Cultural Transformations
Cultures and Identities in Film, Media and Literature
Democratisation- Communication Flow and Interaction
Diaspora, Migration and the Media
Digital Culture and Communication
Documentary and Propaganda Film
Feminist Theory: Gender and Political Studies
Film and TV Audiences
Film and Media Studies
Film and Television Genres
Film Criticism and Theory
Film Exhibition
Film Studies
Film, Still Photography, Television, and Digital Media
Fine Art, Design, Media, Film and Communications
Gender and communication
Gender and Queer Studies
Gender and Technology
Gendered Spectatorship
Globalization Theory/Transnational Media
Horror and Science Fiction Film
Influences on News Selection
International and Intercultural Communication
International Film Festivals
International Literature in Film Studies
Internet Communities
Internet as a Medium for Cinema, Movies, Video, Film Communication
Internet Media Studies
Interpersonal Communication and Social Interaction
Issues of Authorship and Queer Identities
Journalism Studies and Communications
Languages and Linguistics
Latin American Cinema, Media and Culture
Lesbian/Gay/Queer Cinema and Theory
Marketing and Communications
Mass Communication and Media Studies
Mass Communication and Theatre
Mass Media and Communications
Media and Communications databases
Media Communication and Culture
Media Criticism
Media Institutions and Industries
Media, Art and Communications
Media, Religion, and Culture
Moving-Image Culture
Music, Movies and Meaning
National Cinemas
Abstracts/Full-Text Paper Submission Deadline |
|
July 01, 2025 |
Notification of Acceptance/Rejection |
|
July 15, 2025 |
Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
June 21, 2025 |
Conference Dates |
|
July 24-25, 2025 |