The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Music and Performing Arts
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Music and Performing Arts.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Music and Performing Arts.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Music and Performing Arts are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
18. International Conference on Music and Performing Arts has teamed up with the Special Journal Issue on
Music and Performing Arts.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
-
Tape-Shaped Multiscale Fiducial Marker: A Design Prototype for Indoor Localization
Marcell S. A. Martins, Benedito S. R. Neto, Gerson L. Serejo, Carlos G. R. Santos
-
Drive-Related Behaviors as Elements of Thinking
Peter Pfeifer, Julian Pfeifer, Niko Pfeifer
-
Deep-Learning Based Approach to Facial Emotion Recognition Through Convolutional Neural Network
Nouha Khediri, Mohammed Ben Ammar, Monji Kherallah
-
Recognition of Gene Names from Gene Pathway Figures Using Siamese Network
Muhammad Azam, Micheal Olaolu Arowolo, Fei He, Mihail Popescu, Dong Xu
-
Effective Stacking of Deep Neural Models for Automated Object Recognition in Retail Stores
Ankit Sinha, Soham Banerjee, Pratik Chattopadhyay
-
Sound Instance: Art, Perception and Composition through Soundscapes
Ricardo Mestre
-
Decoding the Construction of Identity and Struggle for Self-Assertion in Toni Morrison and Selected Indian Authors
Madhuri Goswami
-
An Ontology for Smart Learning Environments in Music Education
Konstantinos Sofianos, Michail Stefanidakis
-
Oil Exploitation, Environmental Injustice and Decolonial Nonrecognition: Exploring the Historical Accounts of Host Communities in South-Eastern Nigeria
Ejikeme Kanu
-
Electroencephalography-Based Intention Recognition and Consensus Assessment during Emergency Response
Siyao Zhu, Yifang Xu
-
Using Speech Emotion Recognition as a Longitudinal Biomarker for Alzheimer’s Disease
Yishu Gong, Liangliang Yang, Jianyu Zhang, Zhengyu Chen, Sihong He, Xusheng Zhang, Wei Zhang
-
The Functions of the Student Voice and Student-Centered Teaching Practices in Classroom-Based Music Education
Sofia Douklia
-
Students with Special Educational Needs Camouflaging and Teacher Training of University Teaching Staff: Practical Reflection
Ana Mercedes Vernia Carrasco
-
Improving Activity Recognition Classification of Repetitious Beginner Swimming Using a 2-Step Peak/Valley Segmentation Method with Smoothing and Resampling for Machine Learning
Larry Powell, Seth Polsley, Drew Casey, Tracy Hammond
-
Affective Adaptation Design for Better Gaming Experiences
Ollie Hall, Salma ElSayed
Digital Program consists of the e-proceedings book which is available online-only
and includes the conference communications (proceedings abstracts and papers).
Registered participants can access the digitally available conference
proceedings ( and certificates ) by visiting their profile pages.
Musical Research
Aesthetics and value
Music industry
Writing about music
Sociology and cultural studies
The relevance of music scholarship beyond the academy
Music and politics
Critical appraisal of the musical works
Music and Consciousness
Musical research in neuroscience, psychology, phenomenology, philosophy, sociology, musicology, performance studies, ethnomusicology, music therapy, evolutionary psychology, cognitive archaeology, and cultural history
Music and Performing Arts
Music Perception and Cognition
Acoustics and psychoacoustics
Aesthetics
Cognitive ethnomusicology
Cognitive modeling of music
Cognitive musicology
Composition and improvisation
Computational Modeling of Music
Cross-cultural studies of music
Memory and music
Musical development
Musical timbre
Music and emotions
Music and evolution
Music and language
Music and meaning
Music and movement
Music and neuroscience
Music and personality
Music and well-being
Music education
Music performance
Music therapy
Perception and response
Pitch and tonal perception
Rhythm, meter, and timing
Social psychology of music
Performing arts healthcare
Music, movement and the brain
Therapy, healing, and meditation
New theories and concepts in psychology and spirituality
Interdisciplinary (including both acoustic and technology based) performance and
practice
Hybridity, interculturalism, cross culturalism
Music, movement and environmental awareness
Cultural policies and copyright laws
Tourism and commoditisation
Authenticity, appropriation, innovation
Sustaining cultural traditions through innovative compositions and choreography
Distance learning programmes
Music and performing arts advocacy
Learning through online digital games
Formal and informal teaching and learning
Online music and performing arts communities
Community-based and indigenous-based education
| Abstracts/Full-Text Paper Submission Deadline |
|
May 02, 2024 |
| Notification of Acceptance/Rejection |
|
May 15, 2024 |
| Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
June 05, 2024 |
| Conference Dates |
|
September 05-06, 2024 |
