The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Music History, Theory, and Ethnomusicology
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Music History, Theory, and Ethnomusicology.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Music History, Theory, and Ethnomusicology.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Music History, Theory, and Ethnomusicology are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
19. International Conference on Music History, Theory, and Ethnomusicology has teamed up with the Special Journal Issue on
Music History, Theory, and Ethnomusicology.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
-
Aeration Optimization in an Activated Sludge Wastewater Treatment Plant Based on CFD Method: A Case Study
Seyed Sina Khamesi, Rana Rafiei
-
An Exploration of Chinese Foreign Direct Investment in Africa from Ethical and Cultural Perspectives
Yongsheng Guo, Mirza Muhammad Naseer, Xiaoxian Zhu
-
An Investigation on Designing and Enhancing the Performance of H-Darrieus Wind Turbine of 10 kW at the Medium Range of Wind Speed in Vietnam
Ich Long Ngo, Dinh Tai Dang, Ngoc Tu Nguyen, Minh Duc Nguyen
-
Cyber Fraud Schemes: Modus Operandi, Tools and Techniques, and the Role of European Legislation as a Defense Strategy
Papathanasiou Anastasios, Liontos George, Liagkou Vasiliki, Glavas Euripides
-
The Discovery and Application of Perspective Representation in Modern Italy
Matthias Stange
-
Cross-Cultural Cooperation and Innovation: An Exploration of Chinese Foreign Direct Investment in Europe
Yongsheng Guo, Shuchao Li
-
Understanding the Qualities of Social Spaces of the Indian Neighbourhoods
Venkata Ravi Kumar Veluru, Tej Kumar Karki
-
Interdisciplinarity: A Pedagogical Practice in the Classrooms
C. Cruz, A. Breda
-
Biography of the Earth in the Light of the Laws of Classical Physics
I. V. Kuzminov
-
Built Environment and Deprived Children: Environmental Perceptions of the Urban Slum Cohort in Pune, India
Hrishikesh Purandare, Ashwini Pethe
-
Physical Deterioration of Semi-Arid Soils as Affected by Land Use Change in North West of Iran
Ali Reza Vaezi, Fereshteh Haghshenas
-
Picture of the World by the Second Law of Thermodynamics
I. V. Kuzminov
-
Positive Energy Districts in the Swedish Energy System
Vartan Ahrens Kayayan, Mattias Gustafsson, Erik Dotzauer
-
Hydrodynamic Characterisation of a Hydraulic Flume with Sheared Flow
Daniel Rowe, Christopher R. Vogel, Richard H. J. Willden
-
Non-reacting Numerical Simulation of Axisymmetric Trapped Vortex Combustor
Heval Serhat Uluk, Sam M. Dakka, Kuldeep Singh, Richard Jefferson-Loveday
Digital Program consists of the e-proceedings book which is available online-only
and includes the conference communications (proceedings abstracts and papers).
Registered participants can access the digitally available conference
proceedings ( and certificates ) by visiting their profile pages.
History of Music
Prehistoric Music: Antiquity, Mesopotamia, China, India, Greece
Middle Ages: China, Arabic countries, Europe
Modern Music: China, Arabic countries, Europe
Renaissance
Baroque
1750-1900
Contemporary
Fundamentals of music: Pitch, Scales and modes, Consonance and dissonance, Rhythm, Melody, Chord, Harmony, Timbre, Dynamics, Articulation, Texture, Form or structure
Analysis
Music perception and cognition
Expression
Genre and technique
Mathematics
Serial composition and set theory
Musical semiotics
Music subjects
Notation
Abstracts/Full-Text Paper Submission Deadline |
|
November 28, 2024 |
Notification of Acceptance/Rejection |
|
December 12, 2024 |
Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
January 14, 2025 |
Conference Dates |
|
February 17-18, 2025 |