The International Research Conference Aims and Objectives
The International Research Conference is a federated organization dedicated to bringing together a significant number of diverse scholarly events for presentation
within the conference program. Events will run over a span of time during the conference depending on the number and length of the presentations.
With its high quality, it provides an exceptional value for students, academics and industry researchers.
International Conference on Music Theory and Musicology Society
aims to bring together leading academic scientists, researchers and research scholars to exchange and share their experiences and research results on all aspects of
Music Theory and Musicology Society.
It also provides a premier interdisciplinary platform for researchers, practitioners and educators to present and discuss the most recent innovations,
trends, and concerns as well as practical challenges encountered and solutions adopted in the fields of Music Theory and Musicology Society.
Call for Contributions
Prospective authors are kindly encouraged to contribute to and help shape the conference through submissions of their research abstracts, papers and e-posters.
Also, high quality research contributions describing original and unpublished results of conceptual, constructive, empirical, experimental, or
theoretical work in all areas of Music Theory and Musicology Society are cordially invited for presentation at the conference.
The conference solicits contributions of abstracts, papers and e-posters that address themes and topics of the conference, including figures, tables and references of
novel research materials.
Guidelines for Authors
Please ensure your submission meets the conference's strict guidelines for accepting scholarly papers.
Downloadable versions of the check list for
Full-Text Papers and
Abstract Papers.
Please refer to the
Paper Submission Guideline,
Abstract Submission Guideline and
Author Information
before submitting your paper.
Conference Proceedings
All submitted conference papers will be blind peer reviewed by three competent reviewers.
The peer-reviewed conference proceedings are indexed in the Open Science Index,
Google Scholar,
Semantic Scholar,
Zenedo,
BASE,
WorldCAT,
Sherpa/RoMEO,
and other index databases. Impact Factor Indicators.
Special Journal Issues
19. International Conference on Music Theory and Musicology Society has teamed up with the Special Journal Issue on
Music Theory and Musicology Society.
A number of selected high-impact full text papers will also be considered for the special journal issues.
All submitted papers will have the opportunity to be considered for this Special Journal Issue.
The paper selection will be carried out during the peer review process as well as at the conference presentation stage.
Submitted papers must not be under consideration by any other journal or publication.
The final decision for paper selection will be made based on peer review reports by the Guest Editors and the Editor-in-Chief jointly.
Selected full-text papers will be published online free of charge.
Conference Sponsor and Exhibitor Opportunities
The Conference offers the opportunity to become a conference sponsor or exhibitor.
To participate as a sponsor or exhibitor, please download and complete the
Conference Sponsorship Request Form.
Selected Papers
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Cognition Technique for Developing a World Music
Haider Javed Uppal, Javed Yunas Uppal
-
OSEME: A Smart Learning Environment for Music Education
Konstantinos Sofianos, Michael Stefanidakis
-
An Ontology for Smart Learning Environments in Music Education
Konstantinos Sofianos, Michail Stefanidakis
-
Students with Special Educational Needs Camouflaging and Teacher Training of University Teaching Staff: Practical Reflection
Ana Mercedes Vernia Carrasco
-
The Functions of the Student Voice and Student-Centered Teaching Practices in Classroom-Based Music Education
Sofia Douklia
-
Manodharmam: A Scientific Methodology for Improvisation and Cognition in Carnatic Music
Raghavi Janaswamy, Saraswathi K. Vasudev
-
On Musical Information Geometry with Applications to Sonified Image Analysis
Shannon Steinmetz, Ellen Gethner
-
Libretto Thematology in Rossini's Operas and Its Formation by the Composer
Areti Tziboula, Anna-Maria Rentzeperi-Tsonou
-
Research on the Teaching Quality Evaluation of China’s Network Music Education APP
Guangzhuang Yu, Chun-Chu Liu
-
Machine Learning for Music Aesthetic Annotation Using MIDI Format: A Harmony-Based Classification Approach
Lin Yang, Zhian Mi, Jiacheng Xiao, Rong Li
-
A Program Based on Artistic and Musical Activities to Acquire Educational Concepts for Children with Learning Difficulties
Ahmed Amin Mousa, Huda Mazeed, Eman Saad
-
Carnatic Music Ragas and Their Role in Music Therapy
Raghavi Janaswamy, Saraswathi K. Vasudev
-
Vocal Training and Practice Methods: A Glimpse on the South Indian Carnatic Music
Raghavi Janaswamy, Saraswathi K. Vasudev
-
Music Aptitude and School Readiness in Indonesian Children
Diella Gracia Martauli
-
Gaze Patterns of Skilled and Unskilled Sight Readers Focusing on the Cognitive Processes Involved in Reading Key and Time Signatures
J. F. Viljoen, Catherine Foxcroft
Digital Program consists of the e-proceedings book which is available online-only
and includes the conference communications (proceedings abstracts and papers).
Registered participants can access the digitally available conference
proceedings ( and certificates ) by visiting their profile pages.
Music Theory and Musicology
Musicological applications
Musicology
Ethnomusicology
Music theory
Sociology of music
Music Information Retrieval Data and Fundamentals
Music signal processing
Symbolic music processing
Metadata, linked data and semantic web
Social tags and user generated data
Natural language processing, text and web mining
Multi-modal approaches to Music Information Retrieval
Methodology
Methodological issues and philosophical foundations
Evaluation methodology
Corpus creation
Legal, social and ethical issues
Domain Knowledge
Representation of musical knowledge and meaning
Music perception and cognition
Computational music theory
Computational musicology and ethnomusicology
Musical Features and Properties
Melody and motives
Harmony, chords and tonality
Rhythm, beat, tempo
Structure, segmentation and form
Timbre, instrumentation and voice
Musical style and genre
Musical affect, emotion and mood
Expression and performative aspects of music
Music Processing
Sound source separation
Music transcription and annotation
Optical music recognition
Alignment, synchronization and score following
Music summarization
Music synthesis and transformation
Fingerprinting
Automatic classification
Indexing and querying
Pattern matching and detection
Similarity metrics
Application
User behavior and modelling
User interfaces and interaction
Digital libraries and archives
Music retrieval systems
Music recommendation and playlist generation
Music and health, well-being and therapy
Music training and education
Music Information Retrieval applications in music composition, performance and production
Music and gaming
Music Information Retrieval in business and marketing
Abstracts/Full-Text Paper Submission Deadline |
|
August 15, 2024 |
Notification of Acceptance/Rejection |
|
August 30, 2024 |
Final Paper (Camera Ready) Submission & Early Bird Registration Deadline |
|
December 21, 2024 |
Conference Dates |
|
January 23-24, 2025 |